I found Eye Machine I utterly forgettable and I Want To See How You See extremely annoying, in the sense that the song was stuck in my head for the remainder of the night and returns every time I think about the film. I was a trippy film; that's really all I can say.
Thursday, December 3, 2009
To be honest, I had little reaction to Monday's screening. The first three films we watched (Sun in Your Head, Migration, and Reflecting Pool) were all interesting enough; I remember thinking how glad I was not to be epileptic while watching Sun in Your Head. I hated that, in Migration, the sound and the water weren't at all in sync. They were so close, I kept waiting for them to line up, but they never did. It definitely left me a bit unsettled. Reflecting Pool was a similarly thoughtful experience; I remember staring at the guy for so long, looking away for a minute, then looking back and realizing he was gone, or different. I liked that though the man froze, pixelated in a way that it looked like he were almost moving extremely fast, the water in the pool still moved as serenely as before; it was in no way afraid of a disruption from the hovering figure.
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